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Welcome

ÖGDTT – The Austrian Association of Drama and Theatre Therapy


The ÖGDTT was founded in 2019 by Birgit Fritz and Susanna Stich-Bender as a non-profit association with the aim of publicising and developing drama and theatre therapy working methods in Austria

 

It also aims to: 

  • stimulate dialogical processes with other artistic therapies

  • link scientific approaches with practice

  • develop ethical guidelines and standards for the work in Austria

  • offer training and continuing education programmes

 

 

 

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What is Drama and Theatre Therapy? 

Drama/theatre therapy is an art-oriented form of therapy in which the transformative power of theatre play is used for individual and societal therapeutic purposes.

By means of specific methods, psychological and psychosocial processes are activated, accompanied and integrated. Hereby the healthy parts of people are focused on and strengthened as resources.

The term 'drama therapy' is understood to mean primarily process-oriented work in which scenic work and also the performance of a play can become an integral part of the
therapeutic process.

The playful and body-oriented approach overcomes the limits of rational understanding; this enables access to emotions and their expression. New perspectives as well as possibilities for action can be opened up and tried out. 

 

Theatre has been used for therapeutic purposes since ancient times and has been considered healing since the beginning. It is an expression of the human search for orientation and rootedness in the "we" of the "big whole".

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Methods of Drama and Theatre therapy

The term 'drama' comes from the Greek and means action, meaning the aesthetic, emotional, expressive and communicative process that takes place through theatre play.

Discovering new possibilities for action in play, embodying them and integrating them into one's own life can contribute to solve problems and develop the potential of each individual as well as society. The action- and presence-related aspect is in the foreground; the individual is always seen as part of and in relation to a larger whole.

 

Therapeutic tools: 

  • myths and stories

  • movement elements

  • body and voice work,
    puppetry and masks

  • literary texts and poems 

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The principles of contemporary drama therapy 

The principles of contemporary drama therapy are based on the long experience of therapists, especially from England, the USA and the Netherlands. Since the 1960s, pioneers such as Renee Emunah (USA), Alida Gersie (GB), Sue Jennings (GB), Mooli Lahad (USA/Israel) and Robert Landy (USA) have developed and tested this form of
therapy and its methods.

In the countries mentioned, drama therapy is now a recognised form of therapy and integrated into the state health system. It is used in all psychosocial fields of work, as individual, couple and group therapy, and has proven particularly successful with clients who are otherwise difficult to reach.